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Monday, May 25, 2015

Sony EX3 MP4 to Avid MC - Convert MP4 files from Sony EX3 to be edited in Avid Media Composer

The best workflow to fix the compatibility issues when importing and editing Sony PMW-EX3 MP4 files in Avid MC (Avid Media Composer).

The Sony EX3 imaging equipment like EX1, is 3 ½ inches CMOS imager, also is MPEG-2 long GOP code, the highest 35Mbps 1920 * 1080 Full HD recording, the standard lens is the same, are 14 times zoom HD lens Fuji dragon. So, if you use the EX3 standard words, and imaging quality of EX1 is exactly the same.

While, SONY EX3 shooting format is MP4, the MP4 file can be edited in avid MC ?

“Every time I import XDCAM MP4 Files from my Sony EX3 to Avid MC 6. The App crashed suddenly. What’s the matter on earth? Help me out! Thank you!”

Well, Avid MC might not work with some MP4 files sometimes due to the codec issue or other reasons. To import Sony EX3 MP4 files into Avid, you need to convert MP4 to Avid Media Composer friendly format first.

On Avid official website, it recommends DNxHD or XDCAM codec for editing, and DNxHD codec is the first choice. So if want to get Avid Media Composer work perfectly with MP4 videos, the easy workaround is to convert MP4 to DNxHD mov.

Brorosft Video Converter for Mac can be of great help in this task. With it, you can effortlessly transcode 720p/1080p MP4 files to DNxHD encoded MOV for Media Composer 5/5.5/6/7, and it works well and converts flawlessly. Meanwhile, the Mac Video Conversion tool can create files compatible with various non-linear editing systems like FCP, FCE, iMovie, and Adobe Premiere (Pro), etc. If you are running on Windows, get Brorsoft Video Converter. Now just, download the program and achieve your goal smoothly.

Download the MP4 to Avid Converter:

(Note: Click here for OS X 10.5)

Guide: Converting Sony PMW-EX3 XDCAM to edit in Avid Media Composer

1. Click Add button to load the MP4 movies you want to convert for Avid MC. Or simply drag your videos to the left item bar for converting. Batch conversion is supported so you can add many files at a time to save the conversion time. And as you see, added files can be previewed in the right Preview window and you can take snapshots of your favorite video scenes.



2. Click “Format” bar to select Avid Media Composer->Avid DNxHD(*.mov) as the best video format for editing Sony EX3 footage in Avid with good video quality.



3. Adjust the video and audio parameters, including the Bitrate of Video&Audio, Video Size, Sample Rate, Frame Rate, Audio Channels, etc., by clicking the Settings button on the main interface for getting the best quality.

4. Click the convert button to start transcoding Sony EX3 XDCAM MP4 for Avid Media Composer.

After the process completes, click “Open” button to find the generated videos, and then you can transfer the recordings to Avid Media Composer 4/5/6/7 easily and quickly.

Editor’s Note: I’ve shared two ways to open and edit Sony PMW-EX3 footage in Avid MC. Personally I prefer the second solution as it can ensure a native workflow in Avid.

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Friday, May 22, 2015

C100 work with Adobe Premeire Pro CC/CS-Solution for Editing Canon C100 MTS in Premiere Pro

How to edit C100 MTS in Adobe Premiere Pro smoothly? There’s no native way to do this— and I’ll give an alternative method to import MTS from C100 to Premiere Pro CC, CS6, CS5 for editing without any loss on Mac OS X (10.10 Yosemite).



There is a well documented bug with editing long AVCHD clips in Adobe Premiere Pro. One of the affected camera is the C100. Adobe acknowledged the existence the bug some time ago and although they final announced that they are committed to fixing the bug. However, it’s still painful experience for C100 owners who want to edit Canon C100 footage in Premiere Pro, as so many issues still exist. Read this article, you can get some tips for importing C100 MTS to Adobe Premiere. First look at the typical issue:

Q: “I just installed the new updates and tried to start a new project in Premiere CC 2014 and import MTS files. I get an error message saying “The file has an unsupported compression type.” … I am really excited about all the new features in this update and want to be able to use them for work but right now I’m super disappointed.”

Read related posts about the MTS to Premiere Pro issue, some guys recommend the Media Browser, so I tried that instead of dragging MTS files into Adobe Premiere. Unfortunately it still does not work. To get rid of the issue, transcoding MTS files to Premiere Pro from C100 is recommended as an efficient and ultimate workaround.

Below, I will outline how to convert and import Canon C100 MTS files into Adobe Premiere Pro CC/CC6/CS5 with the best quality. Keep reading for the brief how-to.

First you need to download Brorsoft MTS/M2TS Converter for Mac, an easy-to-use yet powerful high-quality MTS converter, player and editor under Mac OS X. I’ve used this tool for a long time. With it, I can effortlessly transcode C100 MTS videos(no matter from the whole AVCHD structure or just single MTS video) for smoothly editing in Premiere Pro without quality loss. Plus, it also can help you edit MTS files with Avid MC, Final Cut Pro, iMovie and more NLE systems smoothly. For Windows user, please get MTS/M2TS Converter.

How to edit C100 MTS in Adobe Premiere Pro smoothly:

STEP 1. Install and launch the Mac MTS file Converter, and then click “Add Video” button to import .MTS video from hard drive or camera.



STEP 2. Click “Format” bar and then move your pointer to “Adobe Premiere/Sony Vegas” and select “MPEG-2(*.mpg)” as the output format.



STEP 3. Click “Convert” button to convert Canon C100 MTS to MPEG-2 files for Adobe Premiere Pro CS5/CS6/CC.

Tips:
1. If you would like to customize the video and audio parameters, you can click “settings”. This MTS to Premiere Pro Converter allows you to adjust the parameters as you want, like Video Codec, aspect ratio, bit rate, frame rate, Audio codec, sampling rate, bit rate, channels.

2. Before start the conversion, click “Edit” button and you can crop, trim, add watermark, attach subtitles.

Once the conversion completes, you’re ready to import the result .MPG files into Adobe Premiere Pro for further editing. You’ve done. Don’t worry about the Canon C100 mts to Premiere Pro incompatibility issues anymore.

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Thursday, May 21, 2015

Simple Guide to import Panasonic DMC-ZS30/TZ40 to Mac FCP/iMovie/FCE editing on Mac (Yosemite)

Do you want to solve the Panasonic DMC-ZS30/TZ40 and iMovie/Final Cut Pro/Final Cut Express compatibility problem on Mac OS X 10.10/10.8/10.7/10.6/10.5? This short article will tell you the most simple way.

The Panasonic Lumix TZ40, or ZS30 as it’s known in North America, is the company’s hugely popular travel zoom camera. Panasonic ZS30(TZ40) continues to offer the choice of two encoding formats, AVCHD(1080p, 1080i or 720p) or MP4. The former AVCHD format is for the best quality results or playback on HDTVs, but not for extensive editing or uploading. There’re some issues while importing video from Panasonic Lumix ZS30/TZ40 to FCP, iMovie, FCE on Mac.



If you just wanna view Lumix AVCHD from ZS30/TZ40 on Mac, you can upgrade operating system to Mountain Lion and you could preview the AVCHD videos in QuickTime Player. While, if you plan to do further editing in iMovie, Final Cut Pro, things become a bit complex. If you shot 1080 60i or 50i(depending on region) AVCHD footage, you are able to import and edit on FCP/FCE/iMovie in most cases, but when comes to 1080 60p or 50p AVCHD, those Mac tools Final Cut Pro, Final Cut Express, especially iMovie will reject to ingest these recordings. Alternately you can transcode Panasonic Lumix ZS30(TZ40) AVCHD video to Mac compatible format to ensure smooth editing.

How to get Lumix ZS30(TZ40)AVCHD files Mac-friendly

Download and install Brorsoft MTS/M2TS Converter for Mac, which is the best AVCHD to Mac Converter, helping you to achieve AVCHD converting on Mac. This program is good at encoding camera shootings in AVCHD .mts/.m2ts formats to video editing software compatible file types, i.e. AIC for iMoive, ProRes for FCP, MPEG-2 for Premiere Pro, and DNxHD for Avid Media Composer… Now let’s start the Lumix AVCHD to Mac conversion using the Mac AVCHD Converter.

1. Launch the program and import your MTS, M2TS video by clicking “Add” button.



2. Click the Format bar and select a proper video format according your needs. For playback on Mac, QuickTime Movie Format is the best choice; For iMovie, you can select the output format AIC .mov from iMovie and Final Cut Express profile list; For FCP, Final Cut Pro >> Apple ProRes 422 is optimal.



Tip: Click the “Settings” button, you are able to enter the “Profile Settings” panel to adjust video and audio parameters for source files, including video size, bit rate, frame rate and more.

3. Start the AVCHD MTS to Mac conversion via hitting the Convert button.

After the conversion, you can get the resulted video by clicking the Open button in the main interface. Now, you can play/edit Panasonic Lumix ZS30/TZ40 video on Mac OS X freely.

See more:

Importing Sony PDW-HD1550 XAVC to FCP 7/X
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Wednesday, May 13, 2015

iPhone to Pinnacle-Edit iPhone MP4/MOV files in Pinnacle Studio with MPEG-2 format

"I am new to Pinnacle Studio 17(new to video actually), and iPhones as well, and was wondering if there is a detailed procedure on editing iPhone 6 video in Pinnacle. Do I just attach the phone to the computer like any movie camera?"

Hey, actually, the native record format that the iPhone uses isn’t a codec that plays well together with Pinnacle Studio supporte. Codecs are a complicated subject, and FCP tries to be helpful by automatically changing the sequence settings to match the clip. Not only for the H.264 codec videos from iPhone, but also for others like XAVC or H.265.

Pinnacle Studio 17 supports video formats: MVC, AVCHD™, MPEG-1/-2/-4, DivX®, DV, HDV, AVI, Flash, 3GP (MPEG-4, H.263), WMV, QuickTime® (DV, MJPEG, MPEG-4, H.264), non-encrypted DVD titles (incl. DVD-VR/+VR), DivX Plus® MKV

So,what’s the common practice for iPhone videos to Pinnacle workflow? Well, in order to convert the iPhone H.264 MP4, MOV videos to MPEG-2 for Pinnacle Studio, Brorsoft Video Converter could do this job well. With it, you can convert iPhone h.264 MP4/MOV to Pinnacle Studio and many other programs like Windows Movie Maker, Sony Vegas, Adobe Premiere Pro and more. What's more, all these will be done in three simple steps. No extra codec is needed. This MOV to Pinnacle converter will do all for you. Download the program and read on to see how it works.

Download iPhone Video to Pinnacle Studio converter:



How to convert and import H.264 MOV/MP4 files from iPhone to Pinnacle Studio 17

Step 1: Add iPhone video files

Install and launch the iPhone video to Pinnacle Converter and load source clips to it.



Step 2: Choose output format

Click “Format” bar and choose "Adobe Premiere/Sony Vegas > MPEG-2 (*.mpg)” as output format on the drop-down menu. Of course, you can also choose AVI, WMV from “Common Video” as the output format.



Tip: Click the Settings icon to adjust video and audio parameters on the Profile Setting as you need to get the best quality video.

Step 3: Start iPhone video conversion

Hit the convert button under the preview window, the converter will start encoding iPhone video for importing to Pinnacle Studio immediately. Soon after the conversion is finished, just click "Open" button to get the generated files for edit in Pinnacle Studio 14/15/16/17 perfectly.

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Source:How to get Pinnacle Studio 17 Recognize iPhone Video files

Tuesday, May 12, 2015

Encode H.265/HEVC videos with Handbrake Alternative

Handbrake can't help you convert H.265/HEVC files correctly? This article will offer you an alternative to Handbrake to resolve the issue. Learn details.

Source From: Alternative to Handbrake for encoding H.265/HEVC videos

HandBrake 0.10 has now been released, and it adds H.265 and VP8 encoding support via respectively x265 v1.4 and linbpx, as well as QuickSync video support, but the latter only in Windows. Users may be excited that there is a freeware online can deal with H.265 HEVC videos. However, some users meet problems while encoding H.265 HEVC files with Handbrake:

"I just downloaded the latest version of Handbrake which now includes both H.264 & H.265 video encoding. I did a trial to convert H.265 file to MKV, but sadly the result won't won't play on any software that I have - VLC, QT 7 with Perian etc. Any suggestions for trouble playback? It seems that the original video is not encoded entirely."

H.265 will surely become the mainstream video codec and format for Apple, or even other mobile device, and Windows. If you wanna change H.265 HEVC videos into other video formats, then I will offer you an ideal Handbrake Alternative-Brorsoft Video Converter. With it, you can convert H.265 to media players friendly video formats like H.264 MP4 video on Windows (Windows 10 included) without quality loss. Besides, it also supports converting H.265 files to iPad, Galaxy Tab, iTunes, Windows Media Player, Avid Media Composer and more to meet your different needs. Download the program to start the H.265 conversion task.

Best Handbrake Alternative to encode H.265 HEVC videos

One: Run this professional H.265 converter and then import your H.265 files via "Add" button. Or simply drag&drop the files into the program.



Two: Click on "Format" bar to select output format. Here you can choose to a lot of outputs including H.264 mp4, .mov, DivX .avi for playing.



Tip: You can also check the "Settings" box , and set video codec, video size, Bitrate, frame rate to get a decent video.

Three: Finally, you just need to tap the "Convert" button start the H.265 conversion.

When the converting process ends, you can open output folder to play or edit the converted H.265 videos in players or NLEs with the best quality.

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Thursday, May 7, 2015

How to get Final Cut Pro 7, FCP X working with Sony NEX-FS700 AVCHD MTS footage (Yosemite)?

Follow this article you will know how to convert Sony NEX-FS700 AVCHD MTS to FCP 7, Final Cut Pro X compatible ProRes format, and then you can import and edit them in FCP without rendering on Mac OS X (Yosemite).

Source From:Transcoding Sony NEX-FS700 50p/60p AVCHD to ProRes for FCP 6/7/X

The Sony NEX-FS700 is the clear successor to the Sony NEX-FS100 and it has lot of things going for it. It can record slow-motion Full HD video at 120 or 240fps, or it can record up to 960fps at lower resolutions. The E-Mount Lens system makes it works with Sony’s lot of NEX lenses, or you can expand its compatibility with the purchase of a lens adapter. And the camcorder is also “4K-ready”, which means Sony will announce a firmware upgrade at some point in the future that will enable the FS700 to output 4K video via its 3G HD-SDI terminal. Using the FS700, you can record Full HD .mts clips at 1080/60p or 50p mode. While enjoying the stunning HD image quality, many folks are having problems when importing FS700 60p/50p AVCHD footage to Final Cut Pro 6/7 (even with the lastest FCP X). If you’re in such a situation, you can read on the article to learn more, which mainly shows you how to get Sony NEX-FS700 1080 50P/60P footage and FCP 6/7/X to work beautifully.

The reason that you can’t successfully ingest those recorded AVCHD footages on 1080 60P/50P format to Final Cut Pro is limited by the FCP itself. Currently 1080/60p or 1080/50p footage is a very non-standard format and it’s unsupported in FCP 6/7 even the lastest FCP X. In order to import NEX-FS700 60p AVCHD footage into FCP for smoothly editing, you can use 3rd-party software to re-wrap and convert 60p/50p MTS to Apple ProRes encoded mov format first, which is a native format for Final Cut Pro 6/7/X. It’s a great way to achieve your goal smoothly. For this purose, this article will show you how to transcode Sony NEX-FS700 AVCHD Footage to ProRes MOV in detail.

Converting Sony NEX-FS700 60p/50p AVCHD to Apple ProRes MOV for Final Cut Pro 6/7/X

The quick workaround is to use the easy-to-use yet professional app called Brorosft MTS/M2TS Converter for Mac which can be used as a Sony AVCHD MTS Converter under OS X Leopard (10.5), Snow Leopard (10.6), Lion (10.7), Mountain Lion (10.8), Mavericks (10.9), Yosemite (10.10). It is free, clean and safe to install and use. With it, you can effortlessly transcode MTS to ProRes MOV for Final Cut Pro 6/7/X, and it works well and converts flawlessly. Below is how.

Step 1: Load Sony NEX-FS700 1080p MTS to Mac MTS to ProRes Converter.

Use a card reader to copy and transfer the .mts files to iMac hard drive disk, run Mac Sony MTS Converter as the fast Mac MTS to ProRes Converter, and click the “Add” button to load the .mts videos. You can also use the drag-and-drop method to load the 1080p .mts files to the application UI.

Step 2. Choose outout format

Press “Format” option and navigate the mouse cursor to choose “Format > Final Cut Pro > Apple ProRes 422 (*.mov)” as the best codec for FCP 6/7 and FCP X on Mac. The Mac Sony MTS converter will transcode Sony NEX-FS700 MTS to FCP 6/7 or FCP X compatible MOV with ProRes as video codec in HD 1920×1080.



Step 3. You can click “settings” button in the main interface to customize the output video’s parameters, such as resolution, frame rate, etc.



Step 4. You can edit the MTS video before you convert Sony FS700 MTS to ProRes MOV.

By clicking “Edit” button, you can trim, crop the video, or add watermark and adjust effect to the videos which you will convert.



Trim – Choose to reserve the part you need. Just choose the chapter which you need to trim, to set “start time” or “end time”, type the portion which you want to save.

Crop – Remove black edges of your video or just get the scale of this video you want.

Effect – Adjust the effects by adjusting the parameters, such as:

1) Deinterlacing – If there are some stripes on the picture, you can check this option to make a better picture effect. (Checked by default)

2) If you want to get 3D effect, just enable this fuction and do settings:

Step 5. Start the conversion

Click the “Convert” icon under the preview window, and the Mac MTS to ProRes Converter will start transcode FS700 1080p 50p/60p MTS to Prores MOV for FCP(X) on Mac.

After the conversion, click the “Open” button to locate converted files, then load ProRes .MOV files in FCP (X). Now you can successfully and easily import Sony NEX-FS700 1080 60p/50p MTS footage to FCP 6/7 or FCP X for editing with best quality.

Additional Tips:

1. If you are also a FCP X user, before you try to do the conversion, don’t forget to make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

2. If you want to edit AVCHD MTS in iMovie, you just need to choose the “iMovie and Final Cut Express -> Apple InterMediate Codec (AIC) (*.mov)” in the second step.

3. If you want to batch conversion, the professional iMedia Converter for Mac is the best choice for you.

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Sunday, May 3, 2015

How to Prep GoPro (4K) Footage For Editing In Adobe Premire Pro CC/CS6/CS5

GoPro HD is the world's first true 1080P HD and best selling wearable camera to record sporting and other activities. The latest GoPro Hero4 Black allows you to record at up to 4K resolution at 30 frames per second. While enjoying the stunning HD image quality, many folks are having problems when importing GoPro (4K) footage to Adobe Premiere Pro (Adobe PP CC included). If you're in such a situation, you can read on to learn more. In this article, you will learn what's the reason and how to edit GoPro video files in Premeire Pro CC/CS smoothly.

The GoPro HD records in MPEG-4 and outputs its files as .MP4 files (the container). Files are compressed using the h.264 codec. So the files you are getting out of GoPro HD are suited to be delivered as is, which is usually not ideal for editing. Therefore you will encounter problems when ingesting GoPro MP4 files to Premiere Pro CC, CS6 or CS5 , either stretched and distorted or requires constant rendering, let alone the 4K footage from GoPro Hero4 Black. To make GoPro video files compatible with Adobe Premiere Pro, the easy workaround is to convert GoPro MP4 to MPG/WMV/MOV, something that ensures maximum editing quality and efficiency when working with Premiere Pro CC/CS6/CS5.



Along with some help from third-party software, it can be done effortlessly. Here I share a simple guide on how to convert GoPro HD MP4 files for Adobe Premiere Pro editing smoothly. If you’re facing the issues, read on to find the answer.

Downloading the App- Brorsoft Video Converter

Overall, the program is the best Video Converter for GoPro HD footage. With this Gopro video converter, you can effortlessly transcode Gopro MP4 to MPEG-2 or MOV, which will create an Adobe Premiere friendly file format keeping the Gopro orginal quality. Besides Premiere, this software can also export DNxHD for Avid, MPEG-2 for Sony Vegas, Premiere Element, AVI for Pinnacle Studio and more NLE systems for native editing. For Mac users, Video Converter Mac is the alternative choice. Just download it and follow the tutorial below to get the work done.

Convert/Import GoPro HD Hero2/Hero3 MP4 files to Premiere Pro

Step 1: Add Gopro MP4 video files

Install and launch the GoPro HD MP4 converter and load source MP4 clips to it.



Step 2: Choose output format

Click “Format” pull down list to select Adobe Premiere/Sony Vegas> MPEG-2(*.mpg) as the best video format for Premiere Pro. WMV, MOV formats are the good choice as well.



Tip - Profile Settings:
In case the default settings do not fit your requirement, you can click “Settings” button and enter “Profile Settings” panel to adjust video size, bit rate, frame rate, sample rate and audio channels.

Step 3: Start GoPro MP4 video conversion

Click “Convert” button to start encoding Gopro HD MP4 video to MPG/MOV/WMV for importing to Premiere Pro CS4/CS5/CS6. When the conversion task is finished, click “Open” button to get the exported files and then import the converted GoPro MP4 files into Adobe Premiere Pro to do further editing

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